Box 7
Contains 269 Results:
Correspondence from Anne d'Harnoncourt to Lucy R. Lippard, 1972 July 12
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art, to Lucy R. Lippard.
Correspondence from Lucy R. Lippard to Anne d'Harnoncourt, 1972 July 18
Correspondence from Lucy R. Lippard to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 July 26
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 July 26
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard. Includes publication agreement.
Correspondence from Lucy R. Lippard to Carl Morse, 1972 August 2
Correspondence from Lucy R. Lippard to Carl Morse, Acting Director of Publications for the Museum of Modern Art.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 August 7
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 August 16
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 August 15
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard. Includes publication agreement.
Correspondence from Carl Morse to Lucy R. Lippard, 1972 September 5
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Lucy R. Lippard.
McShine, Kynaston, 1973
General correspondence related to the catalog such as reproduction requests, solicitation for catalog participation, and requests for catalogs. Also includes extensive correspondence with essay authors and associated material, such as contracts, schedules, and memoranda. For correspondence with those who participated in the "Collective Portrait" section, see that subseries.