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Box 2

 Container

Contains 331 Results:

Cornell, Joseph, 1972

 File — Box: 2, Folder: 14
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1972

Correspondence from Kynaston McShine to Joseph Cornell, 1972 October 30

 Object — Box: 2, Folder: 14
Identifier: MDE_B002_F014_001
Scope and Contents

Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to Joseph Cornell.

Dates: 1972 October 30

Davis, Curtis and Julie, 1974

 File — Box: 2, Folder: 15
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1974

Correspondence from Julie and Curtis Davis to Kynaston McShine, 1974 March 20

 Object — Box: 2, Folder: 15
Identifier: MDE_B002_F015_001
Scope and Contents

Correspondence from Julie and Curtis Davis to Kynaston McShine, Curator at the Museum of Modern Art.

Dates: 1974 March 20

Duchamp, Alexina, 1971-1974, undated

 File — Box: 2, Folder: 16
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1971-1974, undated

Correspondence from Evan H. Turner to Alexina Duchamp, 1971 April 13

 Object — Box: 2, Folder: 16
Identifier: MDE_B002_F016_001
Scope and Contents

Correspondence from Evan H. Turner, Director of the Philadelphia Museum of Art, to Alexina Duchamp.

Dates: 1971 April 13

Correspondence from Alexina Duchamp to Evan H. Turner, 1971 May 12

 Object — Box: 2, Folder: 16
Identifier: MDE_B002_F016_002
Scope and Contents

Correspondence from Alexina Duchamp to Evan H. Turner, Director of the Philadelphia Museum of Art.

Dates: 1971 May 12

Correspondence from Evan H. Turner to Anne d'Harnoncourt, 1971 May 26

 Object — Box: 2, Folder: 16
Identifier: MDE_B002_F016_003
Scope and Contents

Correspondence from Evan H. Turner, Director of the Philadelphia Museum of Art, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art. Includes copy of letter to Alexina Duchamp.

Dates: 1971 May 26

Correspondence from Evan H. Turner to Alexina Duchamp, 1971 October 1

 Object — Box: 2, Folder: 16
Identifier: MDE_B002_F016_004
Scope and Contents

Correspondence from Evan H. Turner, Director of the Philadelphia Museum of Art, to Alexina Duchamp.

Dates: 1971 October 1

Correspondence from Anne d'Harnoncourt to Alexina Duchamp, 1972 January 24

 Object — Box: 2, Folder: 16
Identifier: MDE_B002_F016_005
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to Alexina Duchamp.

Dates: 1972 January 24