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Box 2

 Container

Contains 331 Results:

Calder, Alexander, 1974

 File — Box: 2, Folder: 10
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1974

Correspondence from Alexander Calder to Anne d'Harnoncourt and Kynaston McShine, 1974 February 1

 Object — Box: 2, Folder: 10
Identifier: MDE_B002_F010_001
Scope and Contents

Correspondence from Alexander Calder to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, and Kynaston McShine, Curator at the Museum of Modern Art.

Dates: 1974 February 1

Colorado College, 1973-1974, undated

 File — Box: 2, Folder: 11
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973-1974, undated

Correspondence from Elmer Peterson to Anne d'Harnoncourt, 1973 May 3

 Object — Box: 2, Folder: 11
Identifier: MDE_B002_F011_001
Scope and Contents

Correspondence from Elmer Peterson, of the Romance Languges department at Colorado College, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 May 3

Correspondence from Elmer Peterson to Anne d'Harnoncourt, 1973 May 31

 Object — Box: 2, Folder: 11
Identifier: MDE_B002_F011_002
Scope and Contents

Correspondence from Elmer Peterson, of the Romance Languges department at Colorado College, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 May 31

Correspondence from Elmer Peterson to Anne d'Harnoncourt, circa 1973 May 31

 Object — Box: 2, Folder: 11
Identifier: MDE_B002_F011_003
Scope and Contents

Correspondence from Elmer Peterson, of the Romance Languges department at Colorado College, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: circa 1973 May 31

Correspondence from Elmer Peterson to Anne d'Harnoncourt and Kynaston McShine, 1973 June 18

 Object — Box: 2, Folder: 10
Identifier: MDE_B002_F011_004
Scope and Contents

Correspondence from Elmer Peterson, of the Romance Languges department at Colorado College, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, and Kynaston McShine, Curator at the Museum of Modern Art. Includes multiple enclosures.

Dates: 1973 June 18

Correspondence from Elmer Peterson to Anne d'Harnoncourt, 1973 December 18

 Object — Box: 2, Folder: 11
Identifier: MDE_B002_F011_005
Scope and Contents

Correspondence from Elmer Peterson, of the Romance Languges department at Colorado College, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1973 December 18

Correspondence from Anne d'Harnoncourt to James Trissel, 1974 January 24

 Object — Box: 2, Folder: 11
Identifier: MDE_B002_F011_006
Scope and Contents

Correspondence from Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art, to James Trissel, Chairman of the Department of Art at Colorado College.

Dates: 1974 January 24

Copley, William Nelson, 1973

 File — Box: 2, Folder: 12
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973