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Box 2

 Container

Contains 331 Results:

Correspondence from Moira Roth to Anne d'Harnoncourt, 1972 January 14

 Object — Box: 2, Folder: 51
Identifier: MDE_B002_F051_007
Scope and Contents

Correspondence from Moira Roth, University of California, Irvine, School of Fine Arts, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1972 January 14

Program for Duchamp Festival at University of California, Irvine, School of Fine Arts, 1971

 Object — Box: 2, Folder: 51
Identifier: MDE_B002_F051_008
Scope and Contents

Program for Duchamp Festival at University of California, Irvine, School of Fine Arts.

Dates: 1971

Wilson, William, 1973

 File — Box: 2, Folder: 52
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1973

Correspondence from Kynaston McShine to William Wilson, 1973 April 13

 Object — Box: 2, Folder: 52
Identifier: MDE_B002_F052_001
Scope and Contents

Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to William Wilson.

Dates: 1973 April 13

Xerox of work of art from William Wilson to Kynaston McShine, circa 1973

 Object — Box: 2, Folder: 52
Identifier: MDE_B002_F052_002
Scope and Contents

Xerox of work of art from William Wilson to Kynaston McShine, Curator for the Museum of Modern Art.

Dates: circa 1973

Wood, Beatrice, 1971-1974, undated

 File — Box: 2, Folder: 53
Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates: 1971-1974, undated

Correspondence from Anne d'Harnoncourt to Beatrice Wood, 1971 November 3

 Object — Box: 2, Folder: 53
Identifier: MDE_B002_F053_001
Scope and Contents

Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Beatrice Wood.

Dates: 1971 November 3

Correspondence from Beatrice Wood to Anne d'Harnoncourt, 1971 November 26

 Object — Box: 2, Folder: 53
Identifier: MDE_B002_F053_002
Scope and Contents

Correspondence from Beatrice Wood to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1971 November 26

Correspondence from Anne d'Harnoncourt to Beatrice Wood, 1971 December 3

 Object — Box: 2, Folder: 53
Identifier: MDE_B002_F053_003
Scope and Contents

Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Beatrice Wood.

Dates: 1971 December 3

Correspondence from Beatrice Wood to Anne d'Harnoncourt, 1971 December 9

 Object — Box: 2, Folder: 53
Identifier: MDE_B002_F053_004
Scope and Contents

Correspondence from Beatrice Wood to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: 1971 December 9