Box 2
Container
Contains 331 Results:
Correspondence from William Copley to Anne d'Harnoncourt, 1973 May 16
Object — Box: 2, Folder: 12
Identifier: MDE_B002_F012_001
Scope and Contents
Correspondence from William Copley to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.
Dates:
1973 May 16
Correspondence from William Copley to Anne d'Harnoncourt, 1973 June 6
Object — Box: 2, Folder: 12
Identifier: MDE_B002_F012_002
Scope and Contents
Correspondence from William Copley to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.
Dates:
1973 June 6
Bill Copley, interview with B. Rose, 1971 October 21
Object — Box: 2, Folder: 12
Identifier: MDE_B002_F012_003
Scope and Contents
Bill Copley, interview with B. Rose. Notes from an audio recording.
Dates:
1971 October 21
Corcoran Gallery of Art, 1973
File — Box: 2, Folder: 13
Scope and Contents
From the Sub-Series:
General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates:
1973
Correspondence from Roy Slade to Evan H. Turner, 1973 October 30
Object — Box: 2, Folder: 13
Identifier: MDE_B002_F013_001
Scope and Contents
Correspondence from Roy Slade, Director of the Corcoran Gallery of Art, to Evan H. Turner, Director of the Philadelphia Museum of Art.
Dates:
1973 October 30
Cornell, Joseph, 1972
File — Box: 2, Folder: 14
Scope and Contents
From the Sub-Series:
General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates:
1972
Correspondence from Kynaston McShine to Joseph Cornell, 1972 October 30
Object — Box: 2, Folder: 14
Identifier: MDE_B002_F014_001
Scope and Contents
Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to Joseph Cornell.
Dates:
1972 October 30
Davis, Curtis and Julie, 1974
File — Box: 2, Folder: 15
Scope and Contents
From the Sub-Series:
General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates:
1974
Correspondence from Julie and Curtis Davis to Kynaston McShine, 1974 March 20
Object — Box: 2, Folder: 15
Identifier: MDE_B002_F015_001
Scope and Contents
Correspondence from Julie and Curtis Davis to Kynaston McShine, Curator at the Museum of Modern Art.
Dates:
1974 March 20
Duchamp, Alexina, 1971-1974, undated
File — Box: 2, Folder: 16
Scope and Contents
From the Sub-Series:
General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...
Dates:
1971-1974, undated