University of Pennsylvania

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...

Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...

Scope and Contents From the Sub-Series: As documented in the "Library Company of Philadelphia" folder, d'Harnoncourt again crossed paths with Fiske Kimball, her directorial predecessor by 30 years. (Both were recipients of the prestigious Philadelphia Award--Kimball in 1950 and d'Harnoncourt in 1997.) In the tradition of Benjamin Franklin and its other original founders, the Library Company offers shares in its organization as a form of support. In 2001, it informed d'Harnoncourt that the share previously purchased in 1929 by...

Scope and Contents From the Sub-Series: This sub-subseries currently is closed to researchers. D'Harnoncourt's friendship with Kimberly Camp extended beyond the latter's tenure as director of the Barnes Foundation. A folder of their personal correspondence is included here. Another friend of note is the artist Jasper Johns. The one letter from d'Harnoncourt to the artist in this sub-subseries belies their close friendship. Additional correspondence between the two, dated as early as 1983, is filed in the "Names and...

Scope and Contents From the Sub-Series: This subseries pertains to McIlhenny's association with numerous institutions in Philadelphia and in Ireland, and spans more than half a century of monetary support, memberships, and various levels of personal involvement. Material consists of correspondence, invoices and receipts, and ephemera. Because of the tax deductions associated with many of McIlhenny's contributions, a significant amount of related material can be found in the "Tax files" subseries of the "Financial records" series....