Skip to main content

Box 26

 Container

Contains 34 Results:

Fire fighting, 1932

 File — Box: 26, Folder: 16
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1932

Flowers--gardens, 1947-1960, undated

 File — Box: 26, Folder: 17
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1947-1960, undated

Furniture, 1882-1959

 File — Box: 26, Folder: 18
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1882-1959

Furniture, undated

 File — Box: 26, Folder: 19
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: undated