Box 26
Container
Contains 34 Results:
Fire fighting, 1932
File — Box: 26, Folder: 16
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1932
Flowers--gardens, 1947-1960, undated
File — Box: 26, Folder: 17
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1947-1960, undated
Furniture, 1882-1959
File — Box: 26, Folder: 18
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1882-1959
Furniture, undated
File — Box: 26, Folder: 19
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
undated
Lecture material, 1954, undated
File — Box: 26, Folder: 20
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1954, undated
Manners and customs, undated
File — Box: 26, Folder: 21
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
undated
Painted work, 1937, 1951
File — Box: 26, Folder: 27
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1937, 1951
Periods--decorative, 1959
File — Box: 26, Folder: 28
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1959
Periods--decorative, 1947, undated
File — Box: 26, Folder: 29
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1947, undated
Printing arts, undated
File — Box: 26, Folder: 30
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
undated