Box 26
Container
Contains 34 Results:
Lecture material, 1954, undated
File — Box: 26, Folder: 20
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1954, undated
Manners and customs, undated
File — Box: 26, Folder: 21
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
undated
"Modern" Victorian, 1951
File — Box: 26, Folder: 22
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1951
Museum collections, 1953, 1956
File — Box: 26, Folder: 23
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1953, 1956
Needlework--embroidery, undated
File — Box: 26, Folder: 24
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
undated
Needlework--embroidery, 1873
File — Box: 26, Folder: 25
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1873
Needlework--embroidery, 1873
File — Box: 26, Folder: 26
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1873
Painted work, 1937, 1951
File — Box: 26, Folder: 27
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1937, 1951
Periods--decorative, 1959
File — Box: 26, Folder: 28
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1959
Periods--decorative, 1947, undated
File — Box: 26, Folder: 29
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1947, undated