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Box 34

 Container

Contains 27 Results:

D'Harnoncourt, Sarah Carr. Third party correspondence (condolences and donations), 2001-2002, 2007

 File — Box: 34, Folder: 21
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2001-2002; 2007

D'Harnoncourt, Sarah Carr. Art collection. Correspondence and photos, 1972-1989, undated

 File — Box: 34, Folder: 22
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1972-1989, undated

D'Harnoncourt, Sarah Carr. Art collection. Correspondence re loans, 1992, 1995

 File — Box: 34, Folder: 23
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1992, 1995

D'Harnoncourt, Sarah Carr. Art collection. Correspondence and photos re PMA loans, 1998

 File — Box: 34, Folder: 24
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1998

D'Harnoncourt, Sarah Carr. Estate. Correspondence, 2000-2002

 File — Box: 34, Folder: 25
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2000-2002

D'Harnoncourt, Sarah Carr. Estate. Correspondence, 2006

 File — Box: 34, Folder: 26
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2006

D'Harnoncourt, Sarah Carr. Memorial service program and guest list, 2001

 File — Box: 34, Folder: 27
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2001