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Box 34

 Container

Contains 27 Results:

D'Harnoncourt, René. Notebook [re Mexican art]. Incl. sketches and annotated envelope, circa 1927

 File — Box: 34, Folder: 11
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: circa 1927

D'Harnoncourt, René. Published references. Incl. auction catalog entry. Photocopies, undated

 File — Box: 34, Folder: 12
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: undated

D'Harnoncourt, René. Writings. "Definition du surrealisme." Le Bulletin du Centre d'Art. Studio no. 3. (Mars 1946):3+. Incl. cover letter to AdH, 1936, undated

 File — Box: 34, Folder: 13
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1936, undated

D'Harnoncourt, René. Writings. "Challenge and promise" modern art and modern society." Magazine of art, 41 (1948):251-52. Photocopy. Incl. cover note, 1977, undated

 File — Box: 34, Folder: 14
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1977, undated

D'Harnoncourt, Sarah Carr. Correspondence, 1924-1987, undated

 File — Box: 34, Folder: 15
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1924-1987, undated

D'Harnoncourt, Sarah Carr. Correspondence, 1993-1999

 File — Box: 34, Folder: 16
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1993-1999

D'Harnoncourt, Sarah Carr. Correspondence, 2000-2001

 File — Box: 34, Folder: 17
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 2000-2001

D'Harnoncourt, Sarah Carr. Third party correspondence, 1999

 File — Box: 34, Folder: 19
Scope and Contents From the Sub-Series: As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates: 1999