Box 34
Container
Contains 27 Results:
D'Harnoncourt, Sarah Carr. Correspondence, 1924-1987, undated
File — Box: 34, Folder: 15
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1924-1987, undated
D'Harnoncourt, Sarah Carr. Correspondence, 1993-1999
File — Box: 34, Folder: 16
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1993-1999
D'Harnoncourt, Sarah Carr. Correspondence, 2000-2001
File — Box: 34, Folder: 17
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2000-2001
D'Harnoncourt, Sarah Carr. Third party correspondence, 1984, 1989
File — Box: 34, Folder: 18
Scope and Contents
Includes papers about sale of home in Key West, FL.
Dates:
1984, 1989
D'Harnoncourt, Sarah Carr. Third party correspondence, 1999
File — Box: 34, Folder: 19
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1999
D'Harnoncourt, Sarah Carr. Third party correspondence, 2001
File — Box: 34, Folder: 20
Scope and Contents
Includes family reference at August 8, 2001.
Dates:
2001
D'Harnoncourt, Sarah Carr. Third party correspondence (condolences and donations), 2001-2002, 2007
File — Box: 34, Folder: 21
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
2001-2002; 2007
D'Harnoncourt, Sarah Carr. Art collection. Correspondence and photos, 1972-1989, undated
File — Box: 34, Folder: 22
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1972-1989, undated
D'Harnoncourt, Sarah Carr. Art collection. Correspondence re loans, 1992, 1995
File — Box: 34, Folder: 23
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1992, 1995
D'Harnoncourt, Sarah Carr. Art collection. Correspondence and photos re PMA loans, 1998
File — Box: 34, Folder: 24
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
1998