Box 34
Container
Contains 27 Results:
D'Harnoncourt, René. Third party correspondence, 1968-1987
File — Box: 34, Folder: 1
Scope and Contents
Includes family reference at September 17, 1982.
Dates:
1968-1987
D'Harnoncourt, René. Third party correspondence, 1990-1996
File — Box: 34, Folder: 2
Scope and Contents
Includes copies of 1940s correspondence with drawings at September 12, 1995 and family reference at March 12, 1996.
Dates:
1990-1996
D'Harnoncourt, René. Third party correspondence, 1997-1999
File — Box: 34, Folder: 3
Scope and Contents
Includes copy of drawing at November 3, 1998.
Dates:
1997-1999
D'Harnoncourt, René. Third party correspondence, 2001
File — Box: 34, Folder: 4
Scope and Contents
Includes copies of drawings at May 9 and November 19, 2001.
Dates:
2001
D'Harnoncourt, René. Third party correspondence, 2002-2003
File — Box: 34, Folder: 5
Scope and Contents
Includes family references at May 19, 2002 and June 11, 2003.
Dates:
2002-2003
D'Harnoncourt, René. Third party correspondence, 2004-2008
File — Box: 34, Folder: 6
Scope and Contents
Includes family reference at June 25, 2006.
Dates:
2004-2008
D'Harnoncourt, René. Drawing. "...for Anne." "Unesco preparatory staff" w/captions. Incl. envelopes, [1946]
File — Box: 34, Folder: 7
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
[1946]
D'Harnoncourt, René. Drawing. "...for Anne." "Walking in London," w/captions, [1946]
File — Box: 34, Folder: 8
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
[1946]
D'Harnoncourt, René. Drawing. "...for Anne." "Boy vs. mouse," w/captions. Incl. page 2 of correspondence on verso, [1946]
File — Box: 34, Folder: 9
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
[1946]
D'Harnoncourt, René. Ephemera. "Committee on cultural relations with Latin America Eleventh seminar in Mexico, 9-26 July 1936." Program. Incl. illustration [by RdH?] on inside back cover and envelope
File — Box: 34, Folder: 10
Scope and Contents
From the Sub-Series:
As the amount of third-party correspondence makes evident, d'Harnoncourt received many inquiries and publishing requests in regard to her father. His expertise of Mexican and Native American art as well as his tenure at the Museum of Modern Art (MoMA) were points of interest with many scholars. While she could not always answer the inquiries, d'Harnoncourt would at the least steer scholars to more appropriate sources--from MoMA's archives to her own mother. Occasionally, correspondents would...
Dates:
circa 1927-2008, undated (bulk 1971-2006)