Box 101
Container
Contains 26 Results:
Bacon, Mrs. Letitia Wilson Jordan. (G222), undated
File — Box: 101, Folder: 2
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Biglin Brothers Racing, The. (G61), undated
File — Box: 101, Folder: 3
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Brinton, Dr. John H. (G101), undated
File — Box: 101, Folder: 4
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Chess Players, The. (G96), undated
File — Box: 101, Folder: 5
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 6
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
[Head and torso details to] D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 7
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
[Torso and lap details of] D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 8
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Douty, Mrs. Nicholas. (G348), undated
File — Box: 101, Folder: 9
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Falconio, Mgr. Diomede. (G425), undated
File — Box: 101, Folder: 10
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Home Scene. (G37), 1950
File — Box: 101, Folder: 11
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1950