Box 101
Container
Contains 26 Results:
Rush, William Carving His Allegorical Figure of the Schuylkill River (1908). (G445), 1939
File — Box: 101, Folder: 16
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1939
Rush, William Carving His Allegorical Figure of the Schuylkill River (1908). (G445), undated
File — Box: 101, Folder: 17
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Schmitt, Max in a Single Scull. (G44), undated
File — Box: 101, Folder: 18
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Thinker, The. (G331), undated
File — Box: 101, Folder: 19
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Wood, Dr. Horatio C. (related to G239), 1965
File — Box: 101, Folder: 20
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1965
Writing Master, The. (G188), undated
File — Box: 101, Folder: 21
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Photographs. Portraits of Eakins (2). From collection of Seymour Adelman, 1980
File — Box: 101, Folder: 22
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1980
Photographs. Various works by Eakins, undated
File — Box: 101, Folder: 23
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Miscellaneous. Exhibition catalog. Life magazine and National Gallery of Art "Art Exhibition by Men of the Armed Forces.", [June 1942]
File — Box: 101, Folder: 24
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
[June 1942]
Miscellaneous. "Harpers Weekly.", 1861, 1862
File — Box: 101, Folder: 25
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1861, 1862