Box 101
Container
Contains 26 Results:
Miscellaneous. Newspaper and Sunday Supplement, 1971, 1984
File — Box: 101, Folder: 26
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1971, 1984
Chess Players, The. (G96), undated
File — Box: 101, Folder: 5
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 6
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
[Head and torso details to] D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 7
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
[Torso and lap details of] D'Arza Signora Gomez. (G360), undated
File — Box: 101, Folder: 8
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Ward Family. Biographical information. Correspondence, clippings, and photographs. 2:2. [oversize], 1966-1970, 1982, undated
File — Box: 101, Folder: 1
Scope and Contents
From the Sub-Series:
This sub-series is comprised of information about Thomas Eakins's friends, students, sitters, relatives and other associates, including Charles Bregler, Clarence Cranmer, Mary Hallock Greenewalt, Elizabeth Macdowell Kenton, Samuel Murray, Mary Adeline Williams, and Lucy Langdon W. Wilson. The majority of the material was compiled in the early 1930s when Goodrich correspondended with and/or interviewed many of these people on his frequent research trips to Philadelphia. According to Goodrich,...
Dates:
1966-1970, 1982, undated