Venturi, Lionello, 1885-1961
Person
Found in 16 Collections and/or Records:
Kimball, Fiske and Venturi, Lionello. Great Paintings in America (1948). Correspondence re production of color plates, 1944-1947
File — Box: 25, Folder: 2
Scope and Contents
From the Sub-Series:
This subseries documents the writings of Johnson Collection curatorial staff, as well as outside researchers who consulted the Johnson Collection and its staff for research purposes. As the subseries title indicates, not all the writings pertain to the Johnson Collection. Those that do are in draft stages only, or are lecture scripts and therefore are also unpublished. Of particular note is the typescript essay, presumably written by Henri Marceau, documenting the history of the Johnson...
Dates:
1944-1947
Kimball, Fiske and Venturi, Lionello. Great Paintings in America (1948). Proof of Inv. 1321 and color prints of other Johnson Collection paintings. Oversized, 1948
File — Box: 116, Folder: 4
Scope and Contents
From the Sub-Series:
This subseries documents the writings of Johnson Collection curatorial staff, as well as outside researchers who consulted the Johnson Collection and its staff for research purposes. As the subseries title indicates, not all the writings pertain to the Johnson Collection. Those that do are in draft stages only, or are lecture scripts and therefore are also unpublished. Of particular note is the typescript essay, presumably written by Henri Marceau, documenting the history of the Johnson...
Dates:
1948
Notes about sending Arensberg catalogues, circa 1954
Object — Box: 181, Folder: 5
Identifier: FKR_B181_F005_013
Scope and Contents
Notes about sending Arensberg catalogues written by Fiske Kimball, Director of the Philadelphia Museum of Art.
Dates:
circa 1954
Venturi, Lionello, 1934-1937
File — Box: 38, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1934-1937
Venturi, Lionello, 1936-1942
File — Box: 25, Folder: 16
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1936-1942
Venturi, Lionello, 1947-1953
File — Box: 43, Folder: 1
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1947-1953