Tomkins, Calvin, 1925-
Person
Found in 27 Collections and/or Records:
The New Yorker. "Profiles: Walter Hopps", 1991 July 29
Object — Box: 3, Folder: 35
Identifier: MDR_B003_F035_001
Scope and Contents
The New Yorker, Vol. LXVII, No. 23. "Profiles: Walter Hopps" by Calvin Tomkins.
Dates:
1991 July 29
The New Yorker. "St. Marcel", 1993 June 21
Object — Box: 3, Folder: 36
Identifier: MDR_B003_F036_001
Scope and Contents
The New Yorker, Vol. LXIX, No. 18. "St. Marcel," exhibition review by Calvin Tomkins [copy].
Dates:
1993 June 21
The Wall Street Journal. "The Artist Stripped Bare, Almost", 1996 December 18
Object — Box: 2, Folder: 5
Identifier: MDR_B002_F005_001
Scope and Contents
The Wall Street Journal. "The Artist Stripped Bare, Almost" by Eric Gibson [copy]. Review of "Duchamp: a biography" by Calvin Tomkins.
Dates:
1996 December 18
Tomkins, Calvin, 1991
File — Box: 24, Folder: 33
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1991
Tomkins, Calvin, 1991, 1996
File — Box: 240, Folder: 1
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1991, 1996
Tomkins, Calvin [1 item], 2003
File — Box: 240, Folder: 2
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
2003
Tomkins, Calvin. Incl. Ts translation of "Duchamp's Final Shock..." and photograph "taken" by Tono, 1987-1991
File — Box: 240, Folder: 3
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1987-1991