Tomkins, Calvin, 1925-
Found in 27 Collections and/or Records:
London Review of Books. "Sounds like Hell to Me", 1997 November-December
London Review of Books. "Sounds like hell to me" by Michael Wood. Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. Includes correspondence from James D. Crawford to Anne d'Harnoncourt.
New York Observer. "A pseudo, all in all' a long, happy, peculiar life", 1996 November 18
New York Observer. "A pseudo, all in all' a long, happy, peculiar life" by Adam Begley, a review of "Duchamp: a biography" by Calvin Tomkins [copy].
New York Times Book Review. "Art is What You Call It", undated
New York Times Book Review. "Art is What You Call It" by Calvin Tomkins [copy]. Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin.
New York Times Book Review. "Art is What You Call It", undated
New York Times Book Review. "Art is What You Call It" by Calvin Tomkins. Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin.
Publishers Weekly. Review of "Duchamp: a Biography", 1996 September 16
Publishers Weekly. Review of "Duchamp: a Biography" by Calvin Tomkins [copy].
The New Yorker. "Dada and Mama", 1996 January 15
The New Yorker. "Dada and Mama" by Calvin Tomkins [copy].
The New Yorker. "Duchamp and New York", 1996 November 25
The New Yorker. "Duchamp and New York" by Calvin Tomkins.
The New Yorker. "Marcel Duchamp", 1957 April 6
The New Yorker. "Marcel Duchamp," interview with Calvin Tomkins.
The New Yorker. "Profiles: Not seen and/or less seen", 1965 February 6
New Yorker, Vol. XL, No. 51. "Profiles: Not seen and/or less seen" by Calvin Tomkins, page 37-93.
The New Yorker. "Profiles: Not Seen and/or Less Seen", 1965 February 6
The New Yorker, Vol. XL, No. 51. "Profiles: Not Seen and/or Less Seen" by Calvin Tomkins [copy].