Naumann, Francis M.
Person
Found in 42 Collections and/or Records:
Naumann, Francis M., 1978-1986
File — Box: 23, Folder: 30
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1978-1986
Naumann, Francis M., 1987-1988
File — Box: 23, Folder: 31
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1987-1988
Naumann, Francis M., 1989-1992
File — Box: 23, Folder: 32
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1989-1992
Naumann, Francis M., 1993-1995
File — Box: 23, Folder: 33
Scope and Contents
From the Sub-Series:
Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates:
1993-1995
Naumann, Francis M., 1994, undated
File — Box: 80, Folder: 23
Scope and Contents
From the Sub-Series:
As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...
Dates:
1994, undated
Naumann, Francis M., 1974, 1983, 1985, 1986
File — Box: 237, Folder: 8
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1974, 1983, 1985, 1986
Naumann, Francis M., 2000-2002
File — Box: 237, Folder: 12
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
2000-2002
Naumann, Francis M. "Cryptography and the Arensberg circle" Typescript lecture, 1977
File — Box: 35, Folder: 5
Scope and Contents
From the Sub-Series:
Two typescript articles by Francis M. Naumann.
Dates:
1977
Naumann, Francis M. Incl. book outline, 1991-1996
File — Box: 237, Folder: 10
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1991-1996
Naumann, Francis M. Incl. book review, exhibition proposal, and ephemera, 1997-1999
File — Box: 237, Folder: 11
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1997-1999
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- memorandums 2
- Boston, United States 1
- Iowa City, United States 1
- London, England 1
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