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Bonk, Ecke

 Person

Found in 21 Collections and/or Records:

Bonk, Ecke, 1988-1989

 File — Box: 21, Folder: 26
Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...
Dates: 1988-1989

Bonk, Ecke, 1985-1987

 File — Box: 231, Folder: 7
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: 1985-1987

Bonk, Ecke, July 1987-1992, 1995, undated

 File — Box: 231, Folder: 8
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: July 1987-1992, 1995, undated

Bonk, Ecke. Incl. third-party corresp, 1998

 File — Box: 231, Folder: 9
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: 1998

Correspondence from Anne d'Harnoncourt to Daniel W. Dietrich II, 1987 July 29

 Object — Box: 25, Folder: 15
Identifier: MDE_B025_F015_001
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Daniel W. Dietrich II. Includes description of the Museum's plans for celebrating Marcel Duchamp's birthday.

Dates: 1987 July 29

Correspondence from Anne d'Harnoncourt to Linda Dalrymple Henderson, 1990 January 25

 Object — Box: 5, Folder: 2
Identifier: MDR_B005_F002_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Linda Dalrymple Henderson.

Dates: 1990 January 25

Correspondence from Anne d'Harnoncourt to Marge Kline, 1988 June 26

 Object — Box: 12, Folder: 2
Identifier: MDR_B012_F002_008
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Marge Kline.

Dates: 1988 June 26

Correspondence from Anne d'Harnoncourt to Mark B. Pohlad, 1989 October 19

 Object — Box: 6, Folder: 3
Identifier: MDR_B006_F003_002
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Mark B. Pohlad.

Dates: 1989 October 19

Correspondence from Anne d'Harnoncourt to Nora Martins Lobo, 1987 July 15

 Object — Box: 12, Folder: 2
Identifier: MDR_B012_F002_007
Scope and Contents

Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Nora Martins Lobo.

Dates: 1987 July 15

Correspondence from Ecke Bonk to Anne d'Harnoncourt, 1987 September 16

 Object — Box: 25, Folder: 8
Identifier: MDE_B025_F008_001
Scope and Contents

Correspondence from Ecke Bonk to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

Dates: 1987 September 16

Additional filters:

Subject
Philadelphia, United States 12
correspondence 8
memorandums 5
Düsseldorf, Germany 1
Edinburgh, Scotland 1