Eakins, Thomas, 1844-1916

Scope and Contents

Correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Walter Arensberg.

Abstract

This collection showcases the provenance of the art collection of Daniel Dietrich II. Also included are Eakins copy prints, and Eakins' original letters and ephemera.

Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...

Scope and Contents From the Sub-Series: The first major fundraising campaign d'Harnoncourt oversaw as director was the Landmark Renewal Fund, originally planned to run from 1986 to 1991. The goal of the campaign was to raise $50 million for endowment increases, building improvements and a bridge fund to support operations until the new endowments began generating income. Later in the campaign, the goal was increased another $10 million to fund a major overhaul of the Museum's European art collection. According to later press...

Scope and Contents From the Sub-Series: Fireworks and other festivities begin this subseries with documentation of the museum's plans to celebrate its 125th anniversary on May 10, 2001. On that day in 1876, the Centennial exhibition opened to the world. Among its many attractions was the Art Gallery building, which was later named Memorial Hall. At the close of the exhibition, Memorial Hall became the first home of the newly chartered Philadelphia Museum of Art (then known as the Pennsylvania Museum and School of Industrial Art)....

Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...

Scope and Contents From the Sub-Series: As evidenced in the records of the previous subseries, the Landmark Renewal campaign afforded the museum the opportunity to enhance nearly every aspect of its art collection, from display to scholarship. This subseries documents another ambitious program to improve the 24-acre grounds surrounding the "temple on the hill." The Landscape Rehabilitation Project was initiated by the Pennsylvania Horticultural Society (PHS), another venerable Philadelphia institution, as part of its Philadelphia...

Scope and Contents From the Sub-Series: This subseries consists of the records compiled during the first four years of d'Harnoncourt's tenure as museum director. Of the accomplishments achieved during this time period, one of the most significant and best documented here is the museum's acquisition of thousands of drawings and prints by European old masters and artists of the 19th century. The seller was PAFA, the Pennsylvania Academy of the Fine Arts, which had long ago changed its emphasis to the collection and study of American...

Abstract The Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins consists mainly of typescript and manuscript papers, correspondence, and a variety of research and reference materials pertaining to Lloyd Goodrich's major published and unpublished works on American artist Thomas Eakins. This collection documents more than 50 years of Eakins scholarship, during which Goodrich published "Thomas Eakins: his life and work" (1933) and the revised and augmented...