New York City, United States
Found in 10 Collections and/or Records:
Correspondence from Anne d'Harnoncourt and Kynaston McShine to Robert Lebel, 1972 May 3
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art, and Kynaston McShine, Curator for the Museum of Modern Art, to Robert Lebel.
Correspondence from Frances Keech to Anne d'Harnoncourt, 1972 August 17
Correspondence from Frances Keech, Museum of Modern Art, to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art. Includes dossier on contract negotiations with Duchamp catalog contributors.
Correspondence from Jane Necol to Marge Kline, 1973 May 1
Correspondence from Jane Necol, Curatorial Assistant for the Museum of Modern Art, to Marge Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art.
Correspondence from Joseph Solomon to Anne d'Harnoncourt, 1973 October 5
Correspondence from Joseph Solomon to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.
Correspondence from Kynaston McShine to Robert Lebel, 1971 December 14
Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to Robert Lebel.
Correspondence from Marcel Duchamp to Henri Marceau, 1957 February 20
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Correspondence from Marcel Duchamp to Henri Marceau, 1957 March 10
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Correspondence from Marcel Duchamp to Henri Marceau, 1958 January 29
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Correspondence from Marcel Duchamp to Henri Marceau, 1959 February 24
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.
Correspondence from Marcel Duchamp to Henri Marceau, 1959 December 17
Correspondence from Marcel Duchamp to Henri Marceau, Director of the Philadelphia Museum of Art.