correspondence
Found in 19 Collections and/or Records:
Correspondence from Alexina Duchamp to Anne d'Harnoncourt, 1973 March 21
Correspondence from Alexina Duchamp to Anne d'Harnoncourt, 20th Century Art Curator at the Philadelphia Museum of Art.
Correspondence from Anne d'Harnoncourt and Kynaston McShine to Robert Lebel, 1972 May 3
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art, and Kynaston McShine, Curator for the Museum of Modern Art, to Robert Lebel.
Correspondence from Anne d'Harnoncourt to George Heard Hamilton, 1973 September 27
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to George Heard Hamilton, Director of the Sterling and Francine Clark Art Institute. Includes letter to John Hightower.
Correspondence from Anne d'Harnoncourt to Joseph Solomon, 1973 October 2
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Joseph Solomon.
Correspondence from Bill to Kynaston McShine, 1972 December 16
Correspondence from Bill to Kynaston McShine, Curator for the Museum of Modern Art.
Correspondence from Carl Morse to Robert Lebel, 1972 May 25
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Robert Lebel.
Correspondence from Carl Morse to Robert Lebel, 1972 May 25
Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Robert Lebel. Includes publication agreement.
Correspondence from Francis Kloeppel to Robert Lebel, 1973 February 7
Correspondence from Francis Kloeppel, Managing Editor for the Museum of Modern Art, to Robert Lebel.
Correspondence from Frank J. Malina to Anne d'Harnoncourt, 1980 April 21
Correspondence from Frank J. Malina, Leonardo, to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art. Includes proof for review in Leonardo.
Correspondence from Kynaston McShine to George Heard Hamilton, 1972 March 4
Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to George Heard Hamilton, University of Cambridge History of Art Department.