Box 60
Container
Contains 19 Results:
Rishel, Joseph
File — Box: 60, Folder: 11
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Rishel, Joseph. Correspondence to
File — Box: 60, Folder: 12
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Speyer, A. James [1/2]
File — Box: 60, Folder: 13
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Speyer, A. James [2/2]
File — Box: 60, Folder: 14
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Tate Gallery, 1969
File — Box: 60, Folder: 15
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1969
Warner, Jack W.
File — Box: 60, Folder: 16
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Weston, Helen, 1968-1971
File — Box: 60, Folder: 17
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1971
Various. Institutions and Organizations
File — Box: 60, Folder: 18
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Various. Wedding invitations
File — Box: 60, Folder: 19
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated