Box 2

Philadelphia Museum of Art Bulletin, Volume LXIV, Nos. 299 and 300. "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . Reflections On a New Work by Marcel Duchamp" by Anne D'Harnoncourt and Walter Hopps.

Étant donnés Curatorial Records were compiled by the Twentieth Century Art department. It contains correspondence and documents related to the installation of "Étant donnés" at the Philadelphia Museum of Art, during which Anne d'Harnoncourt had a significant role. Most notably, it contains a large number of photographs of "Étant donnés" as it was originally created in Marcel Duchamp's 80 East 11th Street studio in New York City.

Time Asia, Vol. 96 No. 14. "Art: Ghosts at Noon"

Étant donnés Curatorial Records were compiled by the Twentieth Century Art department. It contains correspondence and documents related to the installation of "Étant donnés" at the Philadelphia Museum of Art, during which Anne d'Harnoncourt had a significant role. Most notably, it contains a large number of photographs of "Étant donnés" as it was originally created in Marcel Duchamp's 80 East 11th Street studio in New York City.

Sites, 19. "The Opening Doors of Étant Donnés" and "Interview: Denise Browne Hare on Marcel Duchamp's New York Studio" by Paul Matisse and Dennis L. Dollens.

Étant donnés Curatorial Records were compiled by the Twentieth Century Art department. It contains correspondence and documents related to the installation of "Étant donnés" at the Philadelphia Museum of Art, during which Anne d'Harnoncourt had a significant role. Most notably, it contains a large number of photographs of "Étant donnés" as it was originally created in Marcel Duchamp's 80 East 11th Street studio in New York City.

The Evening Bulletin. "What's New in Litchfield? Just Horses and Buggies" by Joseph X. Dever.

The Evening Bulletin. "'Secret' Work by Duchamp Acquired Here."

The Evening Bulletin. "Pigskin Nude."

The Philadelphia Inquirer. "Public Debates--Is It Art? Last Duchamp Is a Real Peepshow" by Al Haas.