Box 2
Container
Contains 13 Results:
Cast iron, 1850-1946, undated
File — Box: 2, Folder: 1
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1850-1946, undated
Cast iron, 1936-1952, undated
File — Box: 2, Folder: 2
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1936-1952, undated
Cemetery/tombstones, 1843-1950, undated
File — Box: 2, Folder: 3
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1843-1950, undated
Cemetery/tombstones, 1843-1880, undated
File — Box: 2, Folder: 4
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1843-1880, undated
Ceramics, 1886, undated
File — Box: 2, Folder: 5
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1886, undated
Ceramics, 1853-1948, undated
File — Box: 2, Folder: 6
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1853-1948, undated
Color dyeing, 1935, undated
File — Box: 2, Folder: 7
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1935, undated
Crafts-tradesmen, 1940, undated
File — Box: 2, Folder: 8
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1940, undated
Designs, 1839-1873, undated
File — Box: 2, Folder: 9
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1839-1873, undated
Dingbats, 1873-1952, undated
File — Box: 2, Folder: 10
Scope and Contents
From the Series:
Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates:
1873-1952, undated