Skip to main content

Box 2

 Container

Contains 13 Results:

Cast iron, 1850-1946, undated

 File — Box: 2, Folder: 1
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1850-1946, undated

Cast iron, 1936-1952, undated

 File — Box: 2, Folder: 2
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1936-1952, undated

Cemetery/tombstones, 1843-1950, undated

 File — Box: 2, Folder: 3
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1843-1950, undated

Cemetery/tombstones, 1843-1880, undated

 File — Box: 2, Folder: 4
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1843-1880, undated

Ceramics, 1886, undated

 File — Box: 2, Folder: 5
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1886, undated

Ceramics, 1853-1948, undated

 File — Box: 2, Folder: 6
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1853-1948, undated

Color dyeing, 1935, undated

 File — Box: 2, Folder: 7
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1935, undated

Crafts-tradesmen, 1940, undated

 File — Box: 2, Folder: 8
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1940, undated

Designs, 1839-1873, undated

 File — Box: 2, Folder: 9
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1839-1873, undated

Dingbats, 1873-1952, undated

 File — Box: 2, Folder: 10
Scope and Contents From the Series: Consisting of research and collections that contributed to her writing of "Decorative Art of Victoria's Era," this series offered the clearest view of Lichten's workings as a researcher. She was methodical in her categorization of ideas, often marking notes with a label that identified its place in the research project. Because of the close alignment between the research files and the card files, it is evident that Frances Lichten was thorough and logical in her work. If she changed her mind...
Dates: 1873-1952, undated