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Box 143

 Container

Contains 20 Results:

General outline, undated

 File — Box: 143, Folder: 1
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Preliminaries and introduction. Ts., corrected, undated

 File — Box: 143, Folder: 2
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 2. "Prehistoric architecture." Ts, undated

 File — Box: 143, Folder: 3
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 3. "Preclassical architecture." Ts., corrected, undated

 File — Box: 143, Folder: 4
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 4. "Greek architecture." Ts., corrected, undated

 File — Box: 143, Folder: 5
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 5. "Roman architecture." Ts., corrected, undated

 File — Box: 143, Folder: 6
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 10. "Renaissance architecture." Ts., corrected, undated

 File — Box: 143, Folder: 7
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 11. "Post-Renaissance architecture." Ts., corrected, undated

 File — Box: 143, Folder: 8
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 12. "Modern architecture." Part. Ms., ts., corrected, undated

 File — Box: 143, Folder: 9
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated

Chapter 13. "American architecture." Ts., corrected, undated

 File — Box: 143, Folder: 10
Scope and Contents From the Sub-Series: This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates: undated