Box 142
Container
Contains 10 Results:
Correspondence. Chase, George Henry, 1874-1952. Editor, 1913-1916
File — Box: 142, Folder: 1
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1913-1916
Correspondence. Chase, George Henry, 1874-1952. Editor, 1917-1918
File — Box: 142, Folder: 2
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1917-1918
Correspondence. Canant, Kenneth J. Revised Edgell section for second edition, 1940-1943
File — Box: 142, Folder: 3
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1940-1943
Correspondence. Edgell, Dr. George Harold. Co-author, 1915-1922, undated
File — Box: 142, Folder: 4
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1915-1922, undated
Correspondence. Edgell, Dr. George Harold. Co-author, 1923-1942
File — Box: 142, Folder: 5
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1923-1942
Correspondence. Harper Bros. Publisher, 1913-1922
File — Box: 142, Folder: 6
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1913-1922
Correspondence. Harper Bros. Publisher, 1924-1937
File — Box: 142, Folder: 7
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1924-1937
Correspondence. Harper Bros. Publisher, 1938-1942
File — Box: 142, Folder: 8
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1938-1942
Correspondence. Regarding illustrations, 1917
File — Box: 142, Folder: 9
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1917
Chronological tables and preparatory and reference material. 1:2, 1907-1942
File — Box: 142, Folder: 10
Scope and Contents
From the Sub-Series:
This book, first published in 1918, was one of a series of authoritative histories of art intended to be used as a text for college-level courses. George Henry Chase, author of the history of sculpture volume, served as editor for both the architecture and painting histories. In April of 1913, Chase enlisted Kimball to write the architecture history. Two years later Kimball sought out the expertise of George Harold Edgell, who contributed the Middle Ages chapters. A revised edition of the...
Dates:
1907-1942