Box 1
Container
Contains 23 Results:
Alphabetical. Scott-Wolfsonian, 1983-1996
File — Box: 1, Folder: 15
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1983-1996
Brearley School, 1985-1996
File — Box: 1, Folder: 16
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1985-1996
Courtauld Institute of Art, 1983-1989
File — Box: 1, Folder: 17
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1983-1989
Jackson, Sarah, 1995-1996
File — Box: 1, Folder: 18
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1995-1996
Henry Luce Foundation. Director's discretionary award and fee memos, 1994-1996
File — Box: 1, Folder: 19
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1994-1996
Philadelphia Museum of Art, 1983-1994
File — Box: 1, Folder: 20
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1983-1994
Rishel, Joseph J., 1993, 1996
File — Box: 1, Folder: 21
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1993, 1996
Rothschild, Judith. Incl. photo, third party condolence letters and clippings, 1979, 1991-1993
File — Box: 1, Folder: 22
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1979, 1991-1993
Various. Chain letter, 1992
File — Box: 1, Folder: 23
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1992
Alphabetical. Johnson-Schauensee, 1974-1981
File — Box: 1, Folder: 2
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1974-1981