Box 1
Container
Contains 23 Results:
Alphabetical. American-Hirshhorn, 1973-1982
File — Box: 1, Folder: 1
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1973-1982
Alphabetical. Johnson-Schauensee, 1974-1981
File — Box: 1, Folder: 2
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1974-1981
Alphabetical. Schiff-Yamin, 1968-1982
File — Box: 1, Folder: 3
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1982
Art Institute of Chicago. Incl. third party correspondence, 1971-1976
File — Box: 1, Folder: 4
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1971-1976
Columbia University, 1971
File — Box: 1, Folder: 5
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1971
Philadelphia College of Art. Job application acknowledgement, 1975
File — Box: 1, Folder: 6
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1975
Philadelphia Museum of Art. Correspondence and misc. photos. Incl. letter of engagement, 1971, 1978, 1980 undated
File — Box: 1, Folder: 7
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1971, 1978, 1980 undated
Various. Job offers, 1971, 1974-1981
File — Box: 1, Folder: 8
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1971, 1974-1981
Various. Unknown surnames, 1968-1981, undated
File — Box: 1, Folder: 9
Scope and Contents
From the Sub-Series:
The first sub-subseries coincides primarily with d'Harnoncourt's curatorial tenure at PMA. The Art Institute of Chicago material is slightly earlier, when she worked there as an assistant curator. That documentation is minimal but includes a July 1971 letter from her AIC mentor, A. James Speyer. The letter mixes business with personal as Speyer comments on the young bride's recent wedding. Another letter written that same month and year, and included in the Philadelphia Museum of Art"...
Dates:
1968-1981, undated
Alphabetical. AAM-Burko, 1983-1996
File — Box: 1, Folder: 10
Scope and Contents
From the Sub-Series:
Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates:
1983-1996