Box 81
Container
Contains 76 Results:
Draft correspondence from Fiske Kimball to Marcel Duchamp, 1952 February 9
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_031
Scope and Contents
Draft correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Marcel Duchamp.
Dates:
1952 February 9
Correspondence from Marcel Duchamp to Walter and Louise Arensberg, 1952 February 4
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_032
Scope and Contents
Correspondence from Marcel Duchamp to Walter and Louise Arensberg [copy].
Dates:
1952 February 4
Correspondence from Fiske Kimball to Marcel Duchamp, 1951 April 18
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_033
Scope and Contents
Correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Marcel Duchamp.
Dates:
1951 April 18
Draft correspondence from Fiske Kimball to Marcel Duchamp, 1951 April 18
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_034
Scope and Contents
Draft correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Marcel Duchamp.
Dates:
1951 April 18
Draft correspondence from Fiske Kimball to Marcel Duchamp, 1951 April 7
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_035
Scope and Contents
Draft correspondence from Fiske Kimball, Director of the Philadelphia Museum of Art, to Marcel Duchamp.
Dates:
1951 April 7
Correspondence from Marcel Duchamp to Fiske Kimball, 1951 March 19
Object — Box: 81, Folder: 5
Identifier: FKR_B081_F005_036
Scope and Contents
Correspondence from Marcel Duchamp to Fiske Kimball, Director of the Philadelphia Museum of Art.
Dates:
1951 March 19
Detroit Institute of Arts, 1951-1952
File — Box: 81, Folder: 1
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
Downtown Gallery (New York, NY), 1951-1952
File — Box: 81, Folder: 2
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
Dreier, Katherine Sophie, 1950-1952
File — Box: 81, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1950-1952
Dubosc, Jean-Pierre, 1951-1952
File — Box: 81, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952