Box 4
Contains 302 Results:
Centre Pompidou #2: Leger, Element mecanique, 1924, Leopold Survage, Rythym Colore, 1913, Leger, Composition a la main et aux chapeaux
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Merrill Berman Collection: F.T. Marinetti, Les mots en liberte futurists, 1919, Tristan Tzara, Manifestation Dada, 1920, El Lissitsky, Merz Nos 8-9, 1924, Ma, no 4, 1922, F.T. Marinetti, Parole in Liberto, 1919
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Museum Moderner Kunst Stuftung Ludwig Wien, Baumeister, Black and pink wall pictures, 1923
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Musee F. Leger, Bio General
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Anri Sala: Three Minutes, Gallery 179, 2010 July 29-September 1
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Live Cinema Budgets and Contracts, 2011 Fall
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Live Cinema Correspondence, 2011 Fall
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Live Cinema Editorial and Graphic Design, 2011 Fall
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Live Cinema Fundraising & General, 2011 Fall
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Live Cinema Object Labels, 2011 Fall
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.