Box 4
Contains 302 Results:
Beyeler Museum – Basel: Mondrian, Composition NO VI, (Blue Façade) 1914
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Tate – Liverpool: Mondrian, No VI/ Composition No. 11, 1920
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Baltimore Museum of Art: Leger, The Blue Disc, 1920
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dallas Museum of Art: Murphy, Razor, 1924
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Menil Collection: PIcabia, Souvenir du rien, 1919-1922
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Hirshhorn: Henri Laurens, Man with Clarinet, 1919, Casky, Abstraction (Standing Figure), 1919, Alexandra Exter, Policeman, 1926, Alexandra Exter, Harlequin, 1926, Alexandra Exter, Lady in Red, 1926, Henri Laurens, Guitar and Clarinet, 1920
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Musee D’Art Modern La Ville de Paris: Leger, Les Disques, 1918
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Cinematheque, Paris: Djo Bourgeois, Poster for L’Inhumaine, 1924
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
La Galerie Maeght, Paris: Leger, Hommage a la danse, 1926
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Centre Pompidou #1: Leger, Etude pour les disques dans la ville, 1920, S. Delaunay, 1914, Leger, Charlot Cubiste, 1924
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.