Box 89
Container
Contains 36 Results:
Reproduction requests, July 1985-1986
File — Box: 89, Folder: 34
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
July 1985-1986
Sale [attempted] of jardinieres and Chardin's "Still Life with Hare", undated
File — Box: 89, Folder: 35
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
undated
Shipping objects to Glenveagh. Beverly Smyth Sons, Ltd. [Dublin shipper], 1947-1965
File — Box: 89, Folder: 36
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1947-1965
Loans. Portraits, Inc. (Gallery : New York, N.Y.), 1967, 1968
File — Box: 89, Folder: 1
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1967, 1968
Loans. Rosenberg and Stiebel, 1986
File — Box: 89, Folder: 2
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1986
Loans. Royal Academy of Arts (Great Britain), 1960-1961
File — Box: 89, Folder: 3
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1960-1961
Loans. Smith College. Museum of Art. Including return of 1925 indefinite loan, 1924-1925, 1934-1936, 1959
File — Box: 89, Folder: 4
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1924-1925, 1934-1936, 1959
Loans. Societe des amis du Louvre, 1936
File — Box: 89, Folder: 5
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1936
Loans. Tate Gallery. Salvadore Dali exhibition, 1980
File — Box: 89, Folder: 6
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1980
Loans. Texas Centennial Exposition (at Dallas Museum of Fine Arts), 1935-1936
File — Box: 89, Folder: 7
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1935-1936