Box 89
Container
Contains 36 Results:
Paintings. Identification signs, 1925, 1929
File — Box: 89, Folder: 24
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1925, 1929
Paintings offered to John D. McIlhenny. "Not bought", 1911-1914
File — Box: 89, Folder: 25
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1911-1914
Paintings. Miscellaneous lists and installation sketches, 1957, 1975, undated
File — Box: 89, Folder: 26
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1957, 1975, undated
Photographers. Miscellaneous invoices, 1972-1986
File — Box: 89, Folder: 27
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1972-1986
Reference. Ackerman, Phyllis. "The Reappearance of a Lost Bayeux Tapestry." International Studio (July 1930). Including other clippings, 1930, undated
File — Box: 89, Folder: 28
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1930, undated
Reference. Annotated publisher's brochure re: "Furniture at Temple Newman House and Lotherton Hall" by Christopher Gilbert, circa 1978
File — Box: 89, Folder: 29
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
circa 1978
Reference. Clippings re: auction sales and other topics, 1911-1915, 1922, 1951
File — Box: 89, Folder: 30
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1911-1915, 1922, 1951
Reference. Fitzgerald, Desmond. "The Dublin Del Vecchios." Antiques (October 1981), 1981
File — Box: 89, Folder: 31
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1981
Reproduction requests, 1949-1980
File — Box: 89, Folder: 32
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1949-1980
Reproduction requests, 1983-June 1985
File — Box: 89, Folder: 33
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1983-June 1985