Box 101
Container
Contains 26 Results:
Photographs. Portraits of Eakins (2). From collection of Seymour Adelman, 1980
File — Box: 101, Folder: 22
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1980
Photographs. Various works by Eakins, undated
File — Box: 101, Folder: 23
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
undated
Miscellaneous. Exhibition catalog. Life magazine and National Gallery of Art "Art Exhibition by Men of the Armed Forces.", [June 1942]
File — Box: 101, Folder: 24
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
[June 1942]
Miscellaneous. "Harpers Weekly.", 1861, 1862
File — Box: 101, Folder: 25
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1861, 1862
Miscellaneous. Newspaper and Sunday Supplement, 1971, 1984
File — Box: 101, Folder: 26
Scope and Contents
From the Sub-Series:
In the late 1960s, Goodrich contacted the Brooklyn Museum of Art, the Metropolitan Museum of Art and the National Gallery, asking each for x-rays of their paintings by Eakins. According to those letters, Goodrich wanted this material for his current study of the artist's technical methods and to build a collection of such x-rays since there were so few to analyze Eakins's works. This subseries consists of the x-rays each institution supplied, documenting a total of 14 of Eakins paintings, as...
Dates:
1971, 1984
Ward Family. Biographical information. Correspondence, clippings, and photographs. 2:2. [oversize], 1966-1970, 1982, undated
File — Box: 101, Folder: 1
Scope and Contents
From the Sub-Series:
This sub-series is comprised of information about Thomas Eakins's friends, students, sitters, relatives and other associates, including Charles Bregler, Clarence Cranmer, Mary Hallock Greenewalt, Elizabeth Macdowell Kenton, Samuel Murray, Mary Adeline Williams, and Lucy Langdon W. Wilson. The majority of the material was compiled in the early 1930s when Goodrich correspondended with and/or interviewed many of these people on his frequent research trips to Philadelphia. According to Goodrich,...
Dates:
1966-1970, 1982, undated