Box 39

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This set of research files provides insight into the conceptual organization of "Mad for Modernism". Materials are grouped into three themes of study: biographical information on Earl Horter, materials pertaining to contemporary collectors of modern art, and collections of African sculpture and Native American art. Each theme focuses on important subjects, personalities, and institutions that affected Horter as an artist and collector.

This broad range of information is brought together due to its unique format and medium; materials include cassette tapes, mounted photographs, computer files saved to disc, and color transparencies and slides. Grouped together are recorded intervies, preparatory databases, images installed in the exhibition, and images used for press and publicity.