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Box 7

 Container

Contains 269 Results:

Correspondence from John Golding to Anne d'Harnoncourt, 1972 July 1

 Object — Box: 7, Folder: 6
Identifier: MDE_B007_F006_003
Scope and Contents

Correspondence from John Golding, Courtauld Institute, to Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art.

Dates: 1972 July 1

Hamilton, George Heard, 1972

 File — Box: 7, Folder: 7
Scope and Contents From the Sub-Series:

General correspondence related to the catalog such as reproduction requests, solicitation for catalog participation, and requests for catalogs. Also includes extensive correspondence with essay authors and associated material, such as contracts, schedules, and memoranda. For correspondence with those who participated in the "Collective Portrait" section, see that subseries.

Dates: 1972

Correspondence from Kynaston McShine to George Heard Hamilton, 1972 March 4

 Object — Box: 7, Folder: 7
Identifier: MDE_B007_F007_001
Scope and Contents

Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to George Heard Hamilton, University of Cambridge History of Art Department.

Dates: 1972 March 4

Correspondence from George Heard Hamilton to Kynaston McShine, 1975 March 22

 Object — Box: 7, Folder: 7
Identifier: MDE_B007_F007_002
Scope and Contents

Correspondence from George Heard Hamilton, University of Cambridge History of Art Department, to Kynaston McShine, Curator for the Museum of Modern Art.

Dates: 1975 March 22

Correspondence from Kynaston McShine to George Heard Hamilton, 1972 December 6

 Object — Box: 7, Folder: 7
Identifier: MDE_B007_F007_003
Scope and Contents

Correspondence from Kynaston McShine, Curator for the Museum of Modern Art, to George Heard Hamilton, Director of the Sterling and Francine Clark Art Institute.

Dates: 1972 December 6

Hamilton, Richard, 1972-1973

 File — Box: 7, Folder: 8
Scope and Contents From the Sub-Series:

General correspondence related to the catalog such as reproduction requests, solicitation for catalog participation, and requests for catalogs. Also includes extensive correspondence with essay authors and associated material, such as contracts, schedules, and memoranda. For correspondence with those who participated in the "Collective Portrait" section, see that subseries.

Dates: 1972-1973

Correspondence from Anne d'Harnoncourt and Kynaston McShine to Richard Hamilton, 1972 May 5

 Object — Box: 7, Folder: 8
Identifier: MDE_B007_F008_001
Scope and Contents

Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art, and Kynaston McShine, Curator for the Museum of Modern Art, to Richard Hamilton.

Dates: 1972 May 5

Correspondence from Richard Hamilton to Anne d'Harnoncourt, 1972 May 16

 Object — Box: 7, Folder: 8
Identifier: MDE_B007_F008_002
Scope and Contents

Correspondence from Richard Hamilton to Anne d'Harnoncourt , Curator of 20th Century Art for the Philadelphia Museum of Art. Includes clipping "It May Be Art - But Will It Shift the Product?" by Caryll Faraldi.

Dates: 1972 May 16

Correspondence from Carl Morse to Richard Hamilton, 1972 June 27

 Object — Box: 7, Folder: 8
Identifier: MDE_B007_F008_003
Scope and Contents

Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Richard Hamilton.

Dates: 1972 June 27

Correspondence from Carl Morse to Richard Hamilton, 1972 June 27

 Object — Box: 7, Folder: 8
Identifier: MDE_B007_F008_004
Scope and Contents

Correspondence from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Richard Hamilton. Includes publication agreement.

Dates: 1972 June 27