Box 2

Scope and Contents From the Sub-Series: General correspondence primarily from and to the Philadelphia Museum of Art, but also the Museum of Modern Art (co-organizer of the exhibition) and the Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding...

Scope and Contents

Correspondence from Robert L. Herbert, Yale University Department of the History of Art, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Scope and Contents

Incomplete correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Alice Pearson, Assistant for Photography at the Yale University Art Gallery.

Scope and Contents

Correspondence from Anne d'Harnoncourt to Robert L. Herbert, Yale University Department of the History of Art.

Scope and Contents

Correspondence from Robert L. Herbert, Yale University Department of the History of Art, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Scope and Contents

Incomplete correspondence from Alice Pearson, Assistant for Photography at the Yale University Art Gallery, to Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Scope and Contents

Incomplete correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Alice Pearson, Assistant for Photography at the Yale University Art Gallery.

Scope and Contents

Notes about Duchamp photos at Yale.

Scope and Contents

Notes about article in New Haven Register.