Box 28
Container
Contains 23 Results:
Memling, Hans. "Virgin." [176] (5 prints)., undated
File — Box: 28, Folder: 1
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Memling, Hans. "Virgin and Child." [257] (12 prints)., undated
File — Box: 28, Folder: 2
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Memling, Hans. "Virgin and Child." (1 print)., undated
File — Box: 28, Folder: 3
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Memling, Hans, Italian copy after. "Christ." [175] (8 prints)., undated
File — Box: 28, Folder: 4
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Millet, Jean-Francois. "Marine." [177] (1 print)., undated
File — Box: 28, Folder: 5
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Millet, Jean-Francois. "The Sower." Incl. correspondence. (1 print)., undated
File — Box: 28, Folder: 6
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Molenaer, Jan Miense. "Drunken Peddler." [178] (1 print)., undated
File — Box: 28, Folder: 7
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Molenaer, Jan Miense. Unidentified. (2 prints)., undated
File — Box: 28, Folder: 8
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Monet, Claude. "View Outside Paris." [212] (1 print)., undated
File — Box: 28, Folder: 9
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Monet, Claude. "Seascape." [180] (2 prints)., undated
File — Box: 28, Folder: 10
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated