Box 28
Container
Contains 23 Results:
Monticelli, Adolphe Joseph Thomas. "Nymphs Bathing." [188] (4 prints)., undated
File — Box: 28, Folder: 11
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Monticelli, Adolphe Joseph Thomas. "Mme. Rosenthal." [187] (6 prints)., undated
File — Box: 28, Folder: 12
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Mor, Anthonis. "Margaretta of Parma." [190] (13 prints)., undated
File — Box: 28, Folder: 13
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Moretto da Brescia. "Virgin and Child with Donors." (4 prints)., undated
File — Box: 28, Folder: 14
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Mostaert, Jan. "Portrait of a Man." [258] (14 prints)., undated
File — Box: 28, Folder: 15
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Mostaert, Jan. "Portrait of a Man." [258] (1 prints)., undated
File — Box: 28, Folder: 16
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
National Museum of Wales. Various paintings. (7 prints)., undated
File — Box: 28, Folder: 17
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Neefs, Pieter. "Interior of Church." [226] (4 prints)., undated
File — Box: 28, Folder: 18
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Nelli, Ottaviano di Martino. "Christ Crowning Virgin." (1 print)., undated
File — Box: 28, Folder: 19
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated
Niccolo di Tommaso. "Triptych." (4 prints)., undated
File — Box: 28, Folder: 20
Scope and Contents
From the Sub-Series:
Most of these photographs undoubtedly were printed from the negatives made by David Rosen. His New York logo is embossed on many of the prints. Unfortunately, unlike the negatives, which are all numbered so to correspond with the index cards, these prints are not identified as such. Therefore, the photographic technique employed is not always clear. Occasionally, however, an "I-R" is written on the backs of some of the mounted prints, probably indicating that the image was made with infrared...
Dates:
undated