Showing Names: 8171 - 8180 of 133085
Arnold Newman, Out of words, Ellsworth Kelly, Notations: Kiefer, Polke, Richter, Student outreach, pay what you wish Sundays, Eakins’ gross clinic, Barnes, Jazz, craft show, Jensen silver, enchanted forest family party, Japanese masters of the brush, online exhibits, Indian art, Mexican prints, parkway 100th anniversary, Iroquois public sculpture, new Fairmount park director, Edna Andrade, Thomas Beckett, Curtis Harmon, Charlotte Weiner Yudis, 2007 January
File — Box: 2
Scope and Contents
From the Series:
The materials in this series are not yet organized within the collection, and the inventories will reflect that in-process nature. This series is composed of accession inventories. An accession is a group of materials deposited with an archives. In the interest of researcher access, the archives publishes inventories when possible.
Dates:
2007 January
Arnold Rosenberg purchase, undated
Sub-Series
Scope and Contents
From the Series:
This series is comprised primarily of copy and vintage prints of Marcel Duchamp and his works. The series also contains a few images of works of art by related artists, specifically May Ray, Raymond Duchamp-Villon, and Rene Bouche. Of particular note is a photograph by John Schiff of Duchamp's "Sixteen Miles of String" installation at the "First Papers of Surrealism" exhibition held in 1942, as well as Schiff's photographs of"Tthe Large Glass" installed in Katherine Dreier's Connecticut...
Dates:
undated
Arnold Seligmann, Rey Co., Inc., 1929-1930
File — Box: 10, Folder: 6
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929-1930
Arnold Seligmann, Rey Co., Inc., 1931-1932
File — Box: 18, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Arnold Seligmann, Rey Co., Inc., 1933-1937
File — Box: 25, Folder: 1
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
Arnold Seligmann, Rey Co. Inc., 1938-1946
File — Box: 80, Folder: 6
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1938-1946
Arnold Seligmann, Rey Co., Inc., 1940-1941
File — Box: 42, Folder: 16
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1940-1941
Arnold Seligmann, Rey Co., Inc. Including statements of account, 1929-1937
File — Box: 80, Folder: 5
Scope and Contents
From the Sub-Series:
This subseries documents institutions and individuals who for the most part would contact McIlhenny in the hopes to sell, buy or borrow works of fine and decorative art and antiquities. Material pertaining to his parents' collection, including its disposition as shared between McIlhenny and his sister, is intermingled. Requests for photographs of McIlhenny's collection, permission to publish, and general art inquiries are also included. Material consists primarily of correspondence and...
Dates:
1929-1937
Arnot Art Museum, 1975-1976
File — Box: 1, Folder: 14
Scope and Contents
From the Sub-Series:
These records consist primarily of correspondence with institutions and individuals approached for loans for the exhibition. The bulk of the material is from 1975 to 1976.
Dates:
1975-1976
Aronson, 1986-1987
File — Box: 44, Folder: 4
Scope and Contents
From the Collection:
These records underscore the museum's continued and expanding commitment to modern art, with some of the material predating its formal designation as the Department of Twentieth Century Art. Beginning in the mid-1960s, chronologically-arranged exhibition records comprise more than three-quarters of the record group, spanning shows held from 1967 to 1996, exploring modernism's diversity, from Mexican art to Marsden Hartley. There are administrative and planning files to nearly every show,...
Dates:
1986-1987
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