Naumann, Francis M.

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Correspondence from H. Dennis Young, Professor and Chairperson for the Art History Division at Nova Scotia College of Art and Design, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

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Correspondence from H. Dennis Young, Professor and Chairperson for the Art History Division at Nova Scotia College of Art and Design, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art. Includes handbill for Duchamp Colloquium.

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Correspondence from Jack Sawyer, 19th and 20th Century Art Department at the Saint Louis Art Museum, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

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Correspondence from Rudolf E. Kuenzli, University of Iowa, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

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Correspondence from Thomas Girst, Editor-in-Chief for Tout-Fait, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art. Includes outline, call for papers, and list of Tout-Fait staff members.

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Achim Moeller Fine Art Limited. "Drawing for Life: Eighty-Six years of Watercolors, Drawings, and Lithographs by Beatrice Wood: 1910-1996." Exhibition announcement.

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Achim Moeller Fine Art Limited. "Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction." Exhibition and catalog announcements.

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Memorandum from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Jo Hynes. Includes overview of Duchamp birthday celebration events.

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Memorandum from Danielle Rice, Curator of Education at the Philadelphia Museum of Art, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...