Gough-Cooper, Jennifer

Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...

Scope and Contents From the Sub-Series: Correspondence with Library staff, particularly Elizabeth Wrigley and Naomi Sawelson-Gorse, who was hired as Archivist in the 1980s. Much of the correspondence consists of research requests to the library, primarily about Duchamp, the Arensbergs and their circle of artist friends. There is also correspondence with the Philadelphia Museum of Art regarding the transfer of the art collection to the Museum. There are also many requests for photographs, photocopies, and permission to publish, as...

Scope and Contents From the Sub-Series:

Copies of letters between Charles Covert Arensberg and various correspondents, including Marcel Duchamp, Jennifer Gough-Cooper, and Francis Naumann, written after Covert's death and pertaining to his works of art.

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Memorandum from Nancy S. Quaile, Associate Registrar for the Philadelphia Museum of Art, to Suzanne Penn, Associate Conservator of Paintings, and Ann Temkin, Muriel and Philip Berman Curator of 20th Century Art.

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New York Times. "Artist Descending a Staircase" by John Russell [copy]. Review of biography "Marcel Duchamp: Work and Life" by Jennifer Gough-Cooper and Jacques Caumont.

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New York Times. "Artist Descending a Staircase" by John Russell [copy]. Review of biography "Marcel Duchamp: Work and Life" by Jennifer Gough-Cooper and Jacques Caumont.

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Publication erratique de l'Académie de Muséologie Évocatoire. "Rrosopopées" by Jennifer Gough-Cooper and Jacques Caumont [copy].

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The New Yorker, Vol. LXIX, No. 18. "St. Marcel," exhibition review by Calvin Tomkins [copy].