Kline, Marge
Found in 59 Collections and/or Records:
Correspondence from Jane Necol to Marge Kline, 1973 February 2
Correspondence from Jane Necol, Curatorial Assistant for the Museum of Modern Art, to Marge Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art.
Correspondence from Jennifer Gough-Cooper to Marge Kline, 1992 August 31
Correspondence from Jennifer Gough-Cooper to Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art.
Correspondence from Jennifer Gough-Cooper to Marge Kline, 1992 October 27
Correspondence from Jennifer Gough-Cooper to Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art.
Correspondence from Jennifer Gough-Cooper to Marge Kline, 1992 October 13
Correspondence from Jennifer Gough-Cooper to Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art.
Correspondence from John Tancock to Marge Kline, 1991 December 17
Correspondence from John Tancock, Sotheby's, to Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art.
Correspondence from Margaret Kline to Doris Bry, 1972 December 5
Correspondence from Margaret Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art, to Doris Bry.
Correspondence from Margaret Kline to MK Wegmann, 1975 October 27
Correspondence from Margaret Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art, to MK Wegmann, Freeman-Anacker Gallery.
Correspondence from Margaret Kline to Springfield Museum of Art, 1973 March 21
Correspondence from Margaret Kline, Curatorial Assistant for 20th Century Art at the Philadelphia Museum of Art, to Springfield Museum of Art.
Correspondence from Marge Kline to Alexina Duchamp, 1992 October 13
Correspondence from Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art, to Alexina Duchamp.
Correspondence from Marge Kline to Annick Boisnard, 1991 November 5
Correspondence from Marge Kline, 20th Century Art Department at the Philadelphia Museum of Art, to Annick Boisnard, Institut des hautes études en arts plastiques.
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