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Wood, Beatrice

 Person

Biography

Beatrice Wood (1893-1998) was born on March 3, 1893 in San Francisco and raised in New York City. The daughter of affluent socialites, Wood studied painting at the Julian Academy and acting at the Comédie Francaise in Paris at the age of 18. Upon her return to New York, she joined the French Repertory Company and in 1916, befriended the artist Marcel Duchamp and the writer and diplomat Henri Pierre Roché. The three founded and published the short-lived little magazine The Blind Man, one of the earliest manifestations of Dada in Americirca Through Duchamp, Wood met the art collectors Walter and Louise Arensberg, artists Man Ray, Francis Picabia, and Charles Sheeler, and the poet Mina Loy. Wood became a regular participant in the frequent gatherings of intellectuals, artists, and writers at the Arensbergs' West 67th Street apartment. With Duchamp's encouragement, Wood returned to drawing and painting, submitting a work to the 1917 exhibition of the Society of Independent Artists.

Wood relocated to Montreal in 1919 to continue her acting career and there she married Paul Renson, a theater manager. She soon annulled the marriage and returned to New York City. Around 1926, Wood moved to Los Angeles and then to Hollywood, California, where she renewed her friendship with the Arensbergs. In 1938, she married Steve Hoag, an engineer. By all accounts the marriage was not a happy one, yet the couple lived together until his death in 1960. In 1948, they relocated to Ojai, California to be near the Indian sage Krishnamurti, the leader of the Theosophical Society, to which Wood had belonged since 1923.

Wood first became interested in ceramics in 1933 after purchasing a set of luster-glaze plates at an antique store. She soon enrolled in a pottery course in the Adult Education Department of Hollywood High School. She later studied briefly with the Austrian ceramists Gertrud and Otto Natzler. For the next sixty years, Wood supported herself creating and selling pottery and in 1956 she opened her own studio. At first, she concentrated on dinner sets, but by the mid-1970s she began to specialize in more elaborate, decorative bowls, vases and chalices with complex luster glazes. Wood continued to work at her potter's wheel until two years before her death in 1998 at the age of 105.

Found in 32 Collections and/or Records:

Marcel Duchamp, Francis Picabia, and Beatrice Wood in Coney Island, New York, 1917

 Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_021
Scope and Contents

Marcel Duchamp, Francis Picabia, and Beatrice Wood in Coney Island, New York. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.

Dates: 1917

Marcel Duchamp, Francis Picabia, and Beatrice Wood in Coney Island, New York, 1917

 Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_022
Scope and Contents

Marcel Duchamp, Francis Picabia, and Beatrice Wood in Coney Island, New York. Copy print. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.

Dates: 1917

Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California, 1936 August

 Object — Box: 53, Folder: 27
Identifier: WLA_B053_F027_001
Scope and Contents

Photograph of Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California by Beatrice Wood.

Dates: 1936 August

Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California, 1936 August

 Object — Box: 53, Folder: 27
Identifier: WLA_B053_F027_002
Scope and Contents

Photograph of Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California by Beatrice Wood.

Dates: 1936 August

Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California, 1936

 Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_058
Scope and Contents

Marcel Duchamp smoking a pipe at the Arensberg residence in Hollywood, California. Photo by Beatrice Wood. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.

Dates: 1936

Marcel Duchamp with Louise and Walter Arensberg in Hollywood, California, 1936

 Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_059
Scope and Contents

Marcel Duchamp with Louise and Walter Arensberg in Hollywood, California. Photo by Beatrice Wood. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.

Dates: 1936

Marcel Duchamp's 33 W. 67th St. Studio, Allen Norton, Shady Hill, Henri Pierre Roche, Louise Arensberg, Sophie Treadwell, Beatrice Wood[?], unidentified man, and Gabrielle Buffet-Picabia, circa 1913, circa 1917-1918

 Object — Box: 50, Folder: 3
Identifier: WLA_B050_F003_001
Scope and Contents Vol. 2, p. 3 [from left to right, top to bottom]: Photograph of interior of Marcel Duchamp's studio at 33 W. 67th Street, New York City, circa 1918; Photograph of Allen Norton in a New York City[?] café, circa 1917; Photograph of Shady Hill, Cambridge, Massachusetts, circa 1913; Photograph of Henri Pierre Roche and Louise Arensberg in New York[?], circa 1917; Photograph of Sophie Treadwell in a New York City[?] park, circa 1917; Photograph of Henri Pierre Roche resting on an automobile in...
Dates: circa 1913, circa 1917-1918

Patisco Quintano, 1925

 Object — Box: 53, Folder: 36
Identifier: WLA_B053_F036_001
Scope and Contents

Photograph of Patisco Quintano by Beatrice Wood.

Dates: 1925

Photograph of "Aeroplane", undated

 Object — Box: 18, Folder: 1
Identifier: MDE_B018_F001_117

Photograph of poster for The Blindman's Ball, undated

 Object — Box: 21, Folder: 1
Identifier: MDE_B021_F001_044
Scope and Contents

Wood, Beatrice. Photograph of poster for The Blindman's Ball, 1917. Photo by Bacci Attilio.

Dates: undated

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Hollywood, United States 12
New York City, United States 10
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Cambridge, United States 2
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