Skip to main content

Duchamp-Villon, Raymond, 1876-1918

 Person

Found in 213 Collections and/or Records:

Duchamp family tomb in Cimetière monumental de Rouen, undated

 Object — Box 17, Folder: 1
Identifier: MDE_B017_F001_124
Scope and Contents

Duchamp family tomb in Cimetière monumental de Rouen. Photo by Photo Ellebe.

Dates: undated

"Duchamp freres and soeur Oeuvres d'Art" exhibition catalog, 1952 February - March

 Object — Box 7, Folder: 16
Identifier: MDP_B007_F016_001
Scope and Contents

Rose Fried Gallery. "Duchamp freres and soeur Oeuvres d'Art." Exhibition catalog.

Dates: 1952 February - March

Duchamp-Villon, Raymond. Objects by, 1998-1999

 File — Box 233, Folder: 6
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: 1998-1999

Duchamp-Villon, Raymond. Objects by. [2 items], 2002

 File — Box 233, Folder: 7
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: 2002

Duchamp-Villon, Raymond. Objects by and archival material, 1983-1989

 File — Box 233, Folder: 5
Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates: 1983-1989

House & Garden. "L'air Duchamp", 1988 February

 Object — Box 2, Folder: 29
Identifier: MDR_B002_F029_001
Scope and Contents

House & Garden, volume 160, number 3. "L'air Duchamp" by Bertrand Lorquin. Photographs by Serge Bailhache.

Dates: 1988 February

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, 1957

 Object — Box 33, Folder: 10
Identifier: MDP_B033_F010_13-1972-9-587
Scope and Contents

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, Solomon R. Guggenheim Museum.

Dates: 1957

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, 1957

 Object — Box 33, Folder: 10
Identifier: MDP_B033_F010_13-1972-9-588
Scope and Contents

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, Solomon R. Guggenheim Museum.

Dates: 1957

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, 1957

 Object — Box 33, Folder: 10
Identifier: MDP_B033_F010_13-1972-9-589
Scope and Contents

Installation view of "Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp" exhibition, Solomon R. Guggenheim Museum.

Dates: 1957