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Breton, André, 1896-1966

 Person

Found in 30 Collections and/or Records:

London Review of Books. "Sounds like Hell to Me", 1997 November-December

 Object — Box: 3, Folder: 42
Identifier: MDR_B003_F042_001
Scope and Contents

London Review of Books. "Sounds like hell to me" by Michael Wood. Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. Includes correspondence from James D. Crawford to Anne d'Harnoncourt.

Dates: 1997 November-December

New York Times. "The First of Our Publicity Masterpieces", 1973 December 30

 Object — Box: 15, Folder: 6
Identifier: MDE_B015_F006_005
Scope and Contents

New York Times. "The First of Our Publicity Masterpieces" by Hilton Kramer [copy].

Dates: 1973 December 30

South African Journal of Cultural and Art History. "Zoharic imagery in the work of Miró (1924-1933)", 1987

 Object — Box: 1, Folder: 38
Identifier: MDR_B001_F038_001
Scope and Contents

South African journal of cultural and art history. "Zoharic imagery in the work of Miró (1924-1933)" by Rory Doepel [copy].

Dates: 1987

Studio International. "Nothing but an artist", 1975 January - February

 Object — Box: 1, Folder: 22
Identifier: MDR_B001_F022_001
Scope and Contents

Studio International, vol. 189, no. 973. "Nothing but an artist" by Jindřich Chalupecký [copy].

Dates: 1975 January - February

The New York Times. "Nostalgia and the Forward Look: Duchamp Surveys Surrealism and Dali Forges Ahead in All Directions", 1960 December 4

 Object — Box: 37, Folder: 11
Identifier: MDP_B037_F011_003
Scope and Contents

The New York Times. "Nostalgia and the Forward Look: Duchamp Surveys Surrealism and Dali Forges Ahead in All Directions" by John Canaday. Review of exhibition "Tournament of the Enchanters," at the Martin D'Arcy Gallery of Art curated and installed by Marcel Duchamp with André Breton.

Dates: 1960 December 4

The New Yorker. "Profiles: Not seen and/or less seen", 1965 February 6

 Object — Box: 15, Folder: 6
Identifier: MDP_B015_F006_001
Scope and Contents

New Yorker, Vol. XL, No. 51. "Profiles: Not seen and/or less seen" by Calvin Tomkins, page 37-93.

Dates: 1965 February 6

The New Yorker. "Profiles: Not Seen and/or Less Seen", 1965 February 6

 Object — Box: 3, Folder: 34
Identifier: MDR_B003_F034_001
Scope and Contents

The New Yorker, Vol. XL, No. 51. "Profiles: Not Seen and/or Less Seen" by Calvin Tomkins [copy].

Dates: 1965 February 6

Unidentified publication. "Duchamp, genial précurseur, destructeur de l'art, inaugure le Centre Pompidou de Beaubourg", circa 1976-1977

 Object — Box: 22, Folder: 27
Identifier: MDE_B022_F027_012
Scope and Contents

Unidentified publication. "Duchamp, genial précurseur, destructeur de l'art, inaugure le Centre Pompidou de Beaubourg" by Jacques Leenhardt [copy].

Dates: circa 1976-1977

Village Voice. "The Guys", 1995 March 7

 Object — Box: 3, Folder: 14
Identifier: MDR_B003_F014_001
Scope and Contents

Village Voice. "The Guys" by Peter Schjeldahl [copy]. Review of "Conspiratorial Laughter: A Friendship Man Ray and Duchamp" exhibition at Zabriske Gallery.

Dates: 1995 March 7

Vogue. "Notorious Marcel Duchamp-- art as a head trip", 1987 September

 Object — Box: 26, Folder: 52
Identifier: MDE_B026_F052_002
Scope and Contents

Vogue. "Notorious Marcel Duchamp-- art as a head trip" by Jed Perl.

Dates: 1987 September

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  • Subject: clippings (information artifacts) X

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Paris, France 10
New York City, United States 8
correspondence 2
Boston, United States 1
Johannesburg, South Africa 1