Dalí, Salvador, 1904-1989
Found in 22 Collections and/or Records:
Great Art in Four California Houses: The Great Arensberg Collection, 1945
"Great art...in four california houses." Vogue (February 1, 1945): 128-37.
La balsa de la Medusa. "Dalí: lo crudo y lo podrido, el cuerpo des desgarrado y la matanza", 1989
La balsa de la Medusa, number 12. "Dalí: lo crudo y lo podrido, el cuerpo des desgarrado y la matanza" by Juan Antonio Ramírez [copy].
Libération. "Retrospective Duchamp", 1977 February 2
Libération. "Retrospective Duchamp" by Alain Pacadis [copy].
Libération. "Retrospective Duchamp", 1977 February 27
Libération. "Retrospective Duchamp" by Alain Pacadis [copy].
Paris-Presse. "Les polytechniciens: Dali n'est pas si fou", undated
Paris-Presse. "Les polytechniciens: Dali n'est pas si fou" by Christian Millau.
Philadelphia Gets $2,000,000 in Art: Arensberg Collection of 1,000 Items Will Be Presented to Museum in That City, 1951 January 10
"Philadelphia Gets $2,000,000 in Art: Arensberg Collection of 1,000 Items Will Be Presented to Museum in That City." Clipping from the New York Times.
Surrealism in Overalls, 1938 August
"Surrealism in Overalls" by Frank Caspers. Clipping from Scribner's Magazine.
The New York Times. "Nostalgia and the Forward Look: Duchamp Surveys Surrealism and Dali Forges Ahead in All Directions", 1960 December 4
The New York Times. "Nostalgia and the Forward Look: Duchamp Surveys Surrealism and Dali Forges Ahead in All Directions" by John Canaday. Review of exhibition "Tournament of the Enchanters," at the Martin D'Arcy Gallery of Art curated and installed by Marcel Duchamp with André Breton.
The New Yorker. "Dada and Mama", 1996 January 15
The New Yorker. "Dada and Mama" by Calvin Tomkins [copy].
The New Yorker. "The Art World: Not Making It", 1971 October 16
The New Yorker. "The Art World: Not Making It" by Harold Rosenberg [copy].
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